Our Classical Century – BBC 4

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The soundtrack to the glorious summer of 1990 wasn’t anything by the Stone Roses or the Happy Mondays, or even one of my beloved power ballads. It was Luciano Pavarotti singing Nessun Dorma. How mad (for it 😉 ) was that? Kids like us did not listen to classical/opera music. It was totally uncool. It was for old (i.e. over about 35) posh people in the Home Counties. Or Ken Barlow. And then, suddenly, it was for us as well. We even nicknamed one of our school bus drivers “Luciano” (there was a very vague resemblance, if you looked hard). The following year, Pavarotti sang in Manchester shortly after United won the Cup Winners’ Cup, in English clubs’ first season back in Europe after the ban. He wore a United scarf on stage. This was it – yep, classical music was cool after all!  Classic FM launched a year later. Nigel Kennedy’s Mockney accent was rather annoying, but, as the ’90s went on, along came Vanessa Mae, and she was brilliant. Suzy Klein, who’s the same age as me to within a few weeks, will probably have grown up with the same music as I did, but it still makes me feel really old to be reminded that Alexandra Burke, her co-presenter, is Melissa Bell’s daughter! But even people who aren’t old enough to remember the summer of 1990 know Nessun Dorma.  Vincero!  Vin-cer-o …!

I have to say that a lot of the stuff mentioned in this episode, about how classical music shed its stuffy image in the ’80s and ’90s, seems to have passed me right by at the time! I remember Bolero, obviously. Everyone remembers Bolero! I could have done without Alexandra Burke pointing out that she wasn’t born in 1984, but still.  And I remember classical music being used for TV adverts. We had to listen to Air on a G String in school music lessons, and, instead of looking blank like we usually did when the teacher asked if anyone knew what the piece was – I was OK with the 1812 Overture, because of its links with Russian history, and I must have recognised some things from the “Amadeus” film, but that was usually about it – everyone brightly pointed out that it was the music from the Hamlet cigar advert.

But I don’t remember the nation being “brought together” by a piece of classical music played at the funeral of Diana. Princess of Wales, although I remember Elton John singing Candle in the Wind, as clearly as if it were yesterday. And I have no recollection of a Venezuelan orchestra bouncing around whilst playing music from West Side Story, which the programme insisted was some great turning point in cultural history! Oh, and I never knew that Elgar supported Wolves – you learn something new every day! He wrote a football song called “He Banged The Leather For Goal”.  Seriously.

But Nessun Dorma in 1990 – oh yes. It was an interesting time, the summer of 1990. People Like Us, who were into football, were suddenly listening to The Three Tenors. People who were into high culture stuff were suddenly watching football.

I’ve got mixed feelings about the changes in football. Don’t get me wrong, no-one wants to go back to the days of hooliganism, but it’s hard not to feel a pang of nostalgia for the pre-1990 days as I try desperately to work out when to book some shows I want to see in the run-up to Christmas, knowing that Sky and BT Sports and now Amazon Prime as well can change the dates of times and fixtures whenever and to whenever they feel like it, and it’s hard not to feel resentful knowing that, should my team get to a Cup final, I’ll struggle to get tickets because priority will be given to the prawn sandwich brigade. But feeling that, yes, classical music is actually for everyone after all – that’s a definite change for the better. I don’t actually listen to Classic FM, because I’m usually listening to stations that play ’90s power ballads instead , and I don’t usually listen to the Proms except on the Last Night, but I will listen to classical music sometimes, and I don’t feel that it isn’t for People Like Us.

And, when I think of 1990 – which I do quite a lot, because it was a really big year for me, for various reasons – I think, along with all the “Madchester” music, and along with Roxette, and Elton John, and The Beautiful South, and Sinead O’Connor, of Pavarotti singing Nessun Dorma, and making classical/opera music cool!