I thought that this was the best episode of the series so far, despite Kate’s melodramatics. I don’t think we’ve ever had anyone with Swedish heritage before: it was like stepping into the world of Vilhelm Moberg’s Karl Oskar and Kristina, and it’s a subject that’s not often covered on English language TV. It was really good to see something different. The military heritage on the other side of her family was interesting too. It had never really occurred to be that the Armed Forces would have been the main employers of musicians before the days of civil orchestras, although it’s really obvious when you think about it! And it’s nice to have an A-lister on the programme: they do sometimes have people whom I’ve barely heard of. This was a very interesting hour’s TV.
She did overdo it a bit, with the tears and the “I can’t bear it”-ing. OK, it can’t be very pleasant finding out that your long-lost ancestors lived in poverty, had brushes with the law due to stealing food and lost children in infancy, but it’d probably be a similar story for most people’s families. Even those at the top of the social ladder would have been hit by infant deaths, and adults dying young. There were the constant references to her ever-so-‘umble roots, as well. One would have done! But, hey, at least she was interested enough in the social history to get emotional about it.
The story with Kate was that her great-great-grandfather had moved to London from the Halland region of Sweden, becoming a successful tailor on Savile Row. This was fascinating: you think of emigration from Sweden as being to Minnesota and other parts of the American mid-West, not to London. Even Swedish emigration to America isn’t something that’s talked about that much in English language books or TV programmes. So much attention’s paid to emigration from Ireland and, later on, from Italy and the Russian Empire, and yet relatively little’s paid to emigration from Sweden and (then under Swedish rule) Norway, or even to the huge waves of emigration from Germany. I suppose it’s because there wouldn’t have been that much of a cultural or, with Scandinavia and mainly Protestant parts of Germany, religious clash, but it’s certainly a neglected area.
I don’t know what Kate was expecting to find out, but I got the impression that she wasn’t expecting to find that her ancestors’ lives had been so hard. We think of Sweden, as with Norway and Switzerland, as being a very wealthy country, and forget that that’s a fairly recent development, and how difficult it was historically for countries with very cold weather, very hot weather and or a lot of mountainous terrain, especially at a time of rapid population growth. The same with the idea of some countries as being particularly liberal, and or as not having a rigid class structure. It hasn’t always been like that. Take the Netherlands, generally seen as the most liberal-minded country in Europe now, and its centuries of strict Calvinism.
Vilhelm Moberg described life for lower-class people in Sweden in the first half of the nineteenth century so well in The Emigrants, and I kept thinking about that when Kate was learning about her ancestors, although at least there were no religious issues here. When she was taken to a grand castle type place, she must have wondered if they were aristocrats. But no – her great-great-great-great-grandfather was a worker on the estate, paid in tokens that could only be spent in the estate shop, and ended up dying in prison after being convicted of stealing potatoes, shortly after the death of his infant son. The family were starving, with Sweden being hit by successive years of food shortages even before the Hungry Forties and the Great Famine of the late 1860s. Neither of those two major famines came into it, strangely enough – we heard about the early 1830s and the early 1850s, but not the two “big” famines, although that was just because of which dates fitted with major events in the family’s history.
Her great-great-great-grandfather fared better, going into the Navy; and it was brilliant that she was able to see the sort of croft house that he’d have. But her great-great-grandfather was the only one of the three children he and his wife had who survived to adulthood. He became a tailor, like his father – who’d been booted out of the Navy for embezzlement! I can’t think of any other episode that’s featured Swedish history, and I really enjoyed it. How brilliant were the records, as well? Very impressed with mid 19th century Swedish record-keeping!
Turning to the other side of her family, she found out that her great-great-great-grandfather had served in the Grenadier Guards, joining up at the age of just 11, during the Napoleonic Wars. After having to leave the Army due to rheumatism, he became the head prison warder at Dartmoor … but, at that time, Dartmoor was seen as a sort of new model prison, with inmates working in gardens and attending classes in all sorts of subjects.
That was interesting as well, but I thought that the really good bit was his time in the Army, starting off as a real life Little Drummer Boy, at a time when the sons of soldiers often joined up as children so as to benefit from the educational and career opportunities offered, and rising to the rank of Drum Major. We’re all familiar with military bands, and the importance of drummers and buglers and fifers in the Army in the 18th and 19th centuries – I’m going to have “Oh, soldier, soldier, won’t you marry me, with your musket, fife and drum?” going through my head for the rest of the day now – but, as with Swedish and German emigration to Britain and America, it’s something that doesn’t get all that much attention, and it’s always nice to see new topics covered on a long-running programme.
I’d love to know how they choose people to go on this programme. Presumably they must do a certain amount of research first, to make sure that they can actually find something out, and that it’s something reasonably interesting. But do they approach the celebs, or do the celebs approach them? Where would you start, when it came to choosing people? They usually manage to turn up something of interest, but often the socio-economic history behind it is something we’ve heard before, with other people. But, as I’ve said, I don’t think they’ve shown anyone with Swedish heritage before. A really good hour’s TV.